Ferzu Plans vs. Reality

A Real Look at Ferzu here is there free vs. pay versions

Always Free! For a low monthly fee

PHOTOS

View full-size photos 25/day Unlimited
Browse a list of photo thumbnails (latest, favorite, random, etc.) Last 40 Unlimited
Upload photos 100 1000
Upload restricted photos (visible only by members you follow) 1 10

MESSAGING

Outgoing message, flirt or post on someone else’s wall 10/day Unlimited
Incoming message, flirt or wall post Unlimited Unlimited
Reply to a message, flirt or wall post Unlimited Unlimited
Browse a list of messages in Inbox, Sent, etc. Last 50 Unlimited
Search inbox 1/day Unlimited

PROFILES AND NEWSFEEDS

View member profiles Unlimited Unlimited
See who’s viewed your profile Last 15 Unlimited
Anonymous browsing No Available
Block members 100 1000
Search members Unlimited Unlimited
Search global newsfeed 2/day Unlimited
Post a status update & comment on a post or photo Unlimited Unlimited

MISCELLANEOUS

Site-wide “my type” filter Included Included
Mobile apps (coming soon!) Included Included
Multilingual interface (7 languages) Included Included

Ferzu as you know has been advertizing a hell of a lot, but in all honesty what you can actually do on the site is very limited. I been there for a couple of weeks, they claim they are also a dating site, although they do have a filter and a way to search. The reality of it unless you’re between the ages of 17 to 26 you’re not going to find a date. When there are almost no one over the age of 30 on the entire site.

Honest Opinion

With the options you have to pay for are coming by Oct 1st, I think very few furs will even use them. After checking out a couple of profiles there is almost zero art, photos and writings on the entire site. 99% of those who use it, treat it like any social media we happen to belong to, and that is post whatever the hell we like and move on.

It is hard to say if Ferzu will be around a year from now. Reason being running a website can get expensive as the owner of Furnation has informed me. $100 a month in expenses are average. But we will see.

Burned Furs: Furry Extremists

Joining the furry fandom as I did back in 2008, I knew nothing about Burned Furs until Greyflanked mentioned it to me (when preparing for my interview with Fred Patten). But when he would elaborate on the subject it peaked my curiosity. Which caused me to open doors, that I discovered many hoped would be sealed forever….at least that is what I have gotten from facebook post.

So what were the Burned Furs

Established in 1998 by Squee Rat, the Burned Furs were intolerant of persons not only promoting of sex within the fandom in art and writing. As well as anything he saw as socially-unacceptable behaviors. In particular she derided the small minority of fans who insisted that a person could not be “furry” without, for example, having an “animal spirit” or practicing Veganism.

Often quoted Squee Rat is said to have stated, “furs who have spoken up against fandom perversion and been ‘burned at the stake’ for it.”

Burned Fur was often accused of threatening and making physical attacks against their opponents, including death threats and sabotaging convention events.

One known case of a Burned Fur actually threatening an opponent was the maintainer of the Burned Fur homepage, who during a heated flamewar in 1998 said he would “put his fucking head through a wall” if he ever met Xydexx at a convention. Another Burned Fur member, GothTiger chimed in and stated he would “like nothing better in the world than to watch mister too-many-consonants get what’s coming to him.”

Burned Furs also displayed intolerance for Eric Blumrich, also known as Fkafka and Mr. Ploppy, is a cartoonist, illustrator and Flash animator active in the furry fandom throughout the 80’s and 90’s. In 2001 16 days after the events of 9-11 Hangdog threatened him on the Yerf newsgroups and was summarily banned: “The next time I see you I will kill you with my bare hands.” Burned Fur Scott Malcomson noted that Blumrich “hates, apparently, for the sheer pleasure of hating,” and noted Blumrich’s extremist attitude was one reason many Burned Fur members left the group.

Despite these heated words, no Burned Fur ever attacked any person, nor were the sabotage claims made towards those early conventions ever supported beyond allegations.

Opposition

As soon as Burned Fur was launched, it was subjected to harsh criticism. Some of the opposition joined a group called Freezing Furs, which considered Burned Fur a hate group. Other opposition groups included Nonaligned Furs and Furry Peace, which were formed on the basis of factional conflicts. Aside from producing websites and link that had nothing specific to advance any particular agenda.

By the time Burned Fur was founded, individual convention-goers were already boycotting ConFurence due to lewd behavior that the convention’s organizers insisted on turning a blind eye to. CF was finally turned over to Burned Fur member Darrel Exline in 1999, resulting in the claim by Burned Fur members Hangdog, Scott Malcomson, and Major Matt Mason that this would make it a “Burned Fur convention.”. Many who believed that Burned Fur existed to “kick all the degenerates out” shied away from the convention altogether. Attendance levels continued to decline until ConFurence officially closed its doors on April 27, 2003.

By about 2001, the Burned Furs had faded into history, many of them having left furry fandom altogether, and the counter groups formed to oppose them became defunct by default.

Burned Furs 2

This ill-advised movement appeared in mid 2006, with the major attention whore and troll Ashmcairo at the controls. In December 2007 its name changed to “Improved Anthro”, although the group still links to and makes use of the Burned Fur logo, founding documents, and general sense of total cluelessness. Improved Anthro has since spawned several other projects, such as Furryne.ws, Furry101, and FurryGamers, all similarly tainted with the Burned Fur stigma. Improved Anthro vanished in 2013, and the only evidence of the site can be found here http://archive.is/ardV5

Legacy

Although it has been many years since Burned Furs has tired to force there views upon the fandom.
Here are some quote taken from Facebook in 2016

My roommate, while not mentioned in the Wikifur article, was one of the original members and he doesn’t regret it nor does he regret it’s demise comparing it to the punk rock movement — “We came, said what had to be said, then vanished”.

Also ironically, much of what we’re seeing in some of the larger conventions is some of Burned Fur’s manifesto come to life. Anthrocon for the most part is a PG rated con and lewd behavior in public and blatant fetish-wear is discouraged. Adult material is cordoned off into separate areas and they no longer have ‘pet auctions’. — All of which were pretty much in the open in the early days.

———————————-
What I’ve herd of the Burned Fur stuff from Tamias and his one friend Wolfe Darkfang it that it was an bunch of furs who wanted to clean up the furry fandom and get rid of the furry porn that the Burned Furs was saying was ruining the furry fandom at the time but the rest of the fandom think that furry porn was not a problem and there was infighting between the furry fandom and the Burned Furs. The Burned Furs flack was before I joined the furry fandom. Tamias & Wollfee Darkfang both had videos on it on YouTube. =^.^=
——————————–
My first convention was Confurence X…the one those jackoffs managed to turn the hotel hostile against. I’ll never forgive them for that. Pretty sure they had something to do with the forced last minute venue change for the first con in Texas that no one remembers.
But I think this is the best quote of them all which came from Alan Kitchen
Nothing to talk about. A small bunch of people thought the fandom had to be cleaned up. Most are gone from furry. Some have disappeared from earth. And a couple were arrested for real child porn.
Nothing to worry about
——————————–
The Burned Furs in my opinion may of started out with good intentions, but all they left behind was hate. No wonder they vanished, as their reputation in the furry community was in a word, horrible. All I can wish is the fandom never see the likes of those haters again.

The Ultimate Answer

I admit the furry fandom can get out of control, there is no better proof of this than what happened at the very last Rainfurrest. But to establish yourself as an authority to over see the fandom. That is just plain as wrong as are those hate groups you see on the news. Forcing their will upon others…remind you of what you seen on the news…well it should.

To me there is only one authority that should enforce a code of conduct and that is the event itself. Personally I think the staff at MFF does a great job, and so do the con goers. Who watch out for behaviour that could get us kicked out of the Hyatt. We all know what happened at Rainfurrest and no one wants that repeated. Frankly given some of the stories I heard about some wearing only dirty diapers seen around the con and the hotel while at Rainfurrest. I can’t really blame the hotel, the ones I blame are the staff. Who have refused an interview to explain their side.

Like it or not were human beings, not animals and we must cooperate with the powers that be to get along. Look I am not saying give up your personal fetish, but that is left for the internet and those who have similar interests whom you could conduct your own meet. But leave that far away as possible from family friendly hotels. We like to keep our cons going.

Speaking of which Cons are a cooperation between the dealers, the staff and the public. We all should remember this, and if were having a issue at a con please always contact the staff. They are always there to help, and let them be the final authority for whom we are to judge. If you don’t like how a con is run, don’t go.

Review: ‘An Anthropomorphic Century’, edited by Fred Patten

AnAnthropomorphicCenturyFront420

By Greyflank

Edited by Furry Fandom’s most beloved Eagle, Fred Patten, An Anthropomorphic Century reprints stories ranging from 1909 to 2008, including the talents of Peter S. Beagle, Philip K. Dick, Michael H. Payne, Phil Geusz, Renee Carter Hall, and more… including myself.

Starting with “Tobermory” by Saki in 1909, Fred does an excellent job putting these stories in a historical and social context. Around the midpoint, however, the historical context begins to soften just a little. The stories are excellent, but not all are milestones, so I would have enjoyed a bit more perspective in what was going on in the real world when they saw print.

Fred may have decided to let the newer stories stand on their own rather than distracting readers from the work themselves. Perhaps this was a good decision; the collection puts on no airs that of a textbook, after all – but Fred Patten is an expert historian of two fandoms (the other being anime). I couldn’t imagine a person better suited to bringing external context to these stories.

Disclaimer: I have a story in this anthology. I’ll address that story last.

“Tobermory” by Saki
Saki, aka H.H. Munroe, was a wry social commentator in the UK of the early 20th Century and the cat, with it obvious and unmistakable disdain for humanity yet its seemingly cultured behavior makes for the perfect mirror for the cultured set.

It might not be considered Furry by fandom’s standard, and the science may be weak, but it is most certainly an anthropomorphic work, allowing a cat to speak to its “betters” and finding the “betters” wanting. The nearly unanimous plot against Tobermory for his mere honesty says enough about the upper class to get Saki’s point across.

I found it amusing, although I had to reread a few sentences several times. I suspect I missed some humor simply because some references were now too obscure for me to understand. More of Saki’s stories can be found here with no annoying pop-up ads.

“Dr. Lu-mie” by Clifton B. Kruse
Amazing Stories was a pulp magazine with the thinly veiled intentions of teaching science through, well, amazing stories. This kidnapped horror piece was meant to educate young minds about termites in 1934. The most amazing thing to me is that this isn’t a story about how to kill and destroy the damn things.

The victim or hero of this piece is rather randomly invited into Dr. Lu-mie’s lair, although that might be because the tall, talking bug only knew what the local natives could teach him?

I’m not too fond of educational science fiction, but talking bugs are rare outside of truly demonic horror (at least, in my experience). I give it 6 out 10 stars and it only gets a six because it does show the evolution of anthropomorphic.

“The Blue Giraffe” by L. Sprague de Camp
A very enjoyable tale with the kind of framing sequence that I just adore, the conversational doughnut. In this tale, the conversation is an child asking his father if he was adopted. Apparently the child, Peter, is different enough from his father and mother that they can’t be related. De Camp wisely decides to skip describing the child.

The story is one of fantastic mutations and a people who just so happen to look like baboons… except, as it turns out, they are mutated baboons. He rescues one of them, they rescue him. It’s a classic “adventure” shtick we’ve seen before that suddenly forces an unwanted engagement on the civilized man.

Except the Baboons want to breed up the evolutionary ladder.

I like this story, even if the father seems to chicken out from admitting that the boy has more monkey in his mix than other “guys” he hangs with. Well, who knows maybe he is being honest or everything is a lie and he told his child to completely distract him.

Fred notes that in the 80’s on forward, the furry fandom always had fuzzy animal mutations breed true. I don’t think that’s quite true. Metamor Keep’s cursed Keepers had normal human babies… except when two exact cursed species mated.

I had unpublished stories in the ’90’s from a world I called “Story World.” A few humans were born every year to Furries that otherwise bred true. These humans were universal breeders; but I don’t think I created more than three or four stories, and my storyverse name kinda tells the much older me that maybe that was a good thing to stop there.

I enjoyed this story with primitive and not idealized Baboon Furries, and I’m old enough to wonder how much truth is in the story within the story.

“Barney” by Will Stanton
This is a short and wonderful lab rat story. Seriously amusing,
I give it four our of five lab rats. Females. Not Males.

“Expendable” by Philip K. Dick
Enough people have claimed that Dick was extremely paranoid that it now qualifies as a world-wide conspiracy against him. Still, the paranoia brings a wonderfully unique flavor to his oft imitated work.

Imagine Dr. Doolittle gone horribly wrong. Well, not the man so much, as the universe about him.

Of course, the universe has a thing or two to say about that. Man is an invader to Earth and the insects are working in secret to eliminate humans. This one man, who can suddenly and accidentally understand all bugs, cannot be allowed to destroy their plans.

It’s a charmingly paranoid story with a neat but unhappy ending. Perfectly Furry, even if we don’t see many mammals. The black widow is kinda fuzzy, so that should count for something.

“The Conspirators” by James White
This story was a joy and very complex tale disguised as an escape-adventure story. Felix the cat (not that Felix the Cat™) plays strong man for a group of uplifted mice… and some silly hamsters.

Just before the escape is completed, Felix gains a complex and deep insight to not only to the fate of the mice and, by extension, his own future, but to humanity among the stars. This is one of the most brilliant furry SF short stories that I’ve read this year so far and its over 50 years old.

Hard SF to boot, especially the scenes without gravity.

“Sic Transit… ? A Shaggy Hairless-Dog Story” by Howard Waldrop
I love Willow and Patrox and I love the fairy tale feel of it all. Published in 1976, it’s not to jarring to have Willow wanting to be breed with something… anything… even if he gets brutally rebuffed for his efforts. No, no details in the book but Willow doesn’t realize that his battle is with Mother Nature… but Patrox finally shows him how to best survive her wrath.

Cute story. It’s very telling that this allegorical tale premiered in STELLAR 2, Science Fiction stories collected by Judith Del Rey. Fandom, Writers, and Publishers were all struggling to define what SF really was. In the mid-Seventies, SF was whatever the publisher said it was.

“Crow’s Curse” by Michael H. Payne
According to Fred, the Ottergate universe is the first Furry Fan series to contain professional quality stories. I can’t argue with the quality, but I wouldn’t envy the person who went back to read all the Boards and archived Geocities sites to be sure. (Plus, it predates my entry to the online Furry universe, so why argue? :-D)

I love the complexity, not just of the world, but of the characters and their turmoil. I read a lot of pieces from a few years before (and many years after). A great many Furry (and TF) writers are often too content to let impulses, wants, and needs overlap into a gray quagmire of unquestioned actions and pat justifications. It advances the plot.

The plot is merely a vehicle to a story.

This story’s a journey into temptation and beyond. Sure, it’s about guilt but there’s also world-building. Without trotting out a single human, it speaks elegantly about Humanity and society.

So far, it’s one of the most well-rounded tales in the book, giving a nod to fantastic story elements while still allowing an out to a “mundane” explanation of the science of the world. It’s also an allegorical tale (which Furry is so great at) of addiction and the shame that can come with “slipping.”

I would prefer this universe over the Red Wall universe, so now I need to add Payne’s “Blood Jaguar” to my reading list.

“Nine Lives To Live” by Sharyn McCrumb
Stray cats can turn up anywhere, like in this story with transformation via reincarnation. It’s not an uncommon ‘trope, so it doesn’t feel as fresh as it might. Still, just a bit above average.

Despite being a tale of murder and revenge, there is a lightness here that I like. Danby’s hand/paw is sorta forced to commit murder because his human murderer turns out to be a pretty decent cat daddy.

“Vole” by John Gregory Betancourt
Short, sweet and funny in a backhanded way. It certainly got me to want to read Rememory by John Gregory Betancourt. Now, if only I could find a non-Kindle version.

“Choice Cuts” by Edd Vick
I subscribed to Electric Velocipede in the early 21st century, so I got to read this in the “non-furry” version. It was and remains a very, very good story. Making it furry certainly adds more color and flavor, but it doesn’t really change the plot. In the “normal” version, I recall that I was quite happy with how the Farmers accepted Robin’s change. It was, as I recall, little more than a transgender change. It was the near future and I like that race changes weren’t that big a deal. That sex reassignment only produced a little bit of awkwardness.

In the furry version, these Unchanged Farmers are basically surrounded by monsters. Not that their colony couldn’t have some fancy genetic stuff compared to the modern day, but the refugees implied that their technology was more limited to detection and not correction. So, I wouldn’t think a talking squirrel would be so easy to accept. Hell, they maybe never seen a wild squirrel in their lives, except on whatever media they have up there.

I’d have like to see more of the farmers coming to terms with their surroundings and the new culture they were throwing themselves into. But that would have made it a different story, I suppose.

I love the term NullPop and the lack of curiosities explanation. It’s a good world. I wonder if Edd Vick has ever revisited it.

“Transmutational Transcontinental” by Phil Geusz
A wonderful and classic Transformation story for which the Rabbit has always been good with.

It’s short on action, but long on animals.

Note: The intro to this story implies otherwise, but the website that ran the contest this story won is still around, with the submitted stories: although the contests themselves were short lived.

“Daylight Fading” by Chris Hoekstra
My fondness for Metamor Keep runs very deep. I’ve been involved in this storyverse/shared universe for almost 20 years, on and off. But it has quirks, beyond the triad of shape-changing curses set upon the Keep and its defenders.

One of the hardest things for me to get used to was the modern attitudes and speech patterns of those supposedly in the medieval period. After watching A Knight’s Tale and a few translated movies I began to accept that they weren’t speaking in English, so I shouldn’t get hung up on that… and if the Keepers seem too sophisticated for a feudal society, than it was simply because they’d had to step up their game during the last seven years under this twisted curse.

If you don’t like Daylight Falling, the only good reason for that is that the dialogue and settings might be a bit jarring if you are looking for Ye Olde Phantasy setting. Or maybe not, the scope of fantasy novels have changed a bit since 2000.

It’s a slice of relationship life as the Kayla and Rick work to build bridges or take down walls… not an easy thing as they were both cursed. All the real work was pretty much played out in other stories. We are down to relationship basics… are we both ready to take the risk? And will we?

Is it Furry? Well, the plot’s not terribly furry. We could easily make it a story about two recovering drug addicts with very limited changes. Or any mix of scarred people. But there’s some very nice furry flavor text in here that is worth reading and enjoying and if you visit the website and read Rick’s stories in order, I think you’ll enjoy all this tenfold.

“The Dog Said Bow-Wow” by Michael Swanwick
Two con-men walk into post-Collapse London. One is a human. The other a bio-engineered canine. The titular dog, Surplus, has quite a tall tale that starts out with an SF feel that very quickly goes fantasy the second it all goes South.

In addition to a nice little matchstick plot, we also get a little philosophical insight into the price our creations pay for their roles. Rogues in a rich environment.

No wonder Surplus and Darger had other tales told.

“Cat ‘n’ Mouse” by Steven Millhauser
I started out thinking that I would hate this story. A cat and mouse chase scene or scenes in text? How is this going to be a fresh or exciting thing? I figured that it was just here to fill a historical slot.

Well, what does this horse know?

This was more than a bit surreal and yet the best cartoon setting in text that I have ever seen. Whimsically dark with action and deeply introspective, the Cat and Mouse story is about conflict and escalation. And the best and most unexpected parts are when we get inside the heads of our furry leads.

The end result is that all the cartoon violence we laughed out over the years become not funny but somewhat horrifying and we get to see the toll this takes on the long term combatants. And once you accept the horror, a dry, sadistic undertone of humor might be detected.

“Pig Paradise” by Scott Bradfield
This was a wonderful slow burner of a story that explores the emotional expanse of prejudice and working relationships. At first, my real sympathy was with Harry Wolf, who apparently really, really needs to be liked and get approval from those around him. I KNOW that feeling.

I didn’t feel much sympathy, at first, for Hubert Pig, who seems something of a bigot and easily annoyed. Yet… And yet, within a few pages I saw the burden Hubert’s anxiety is creating for the pig. I know those feelings, too. He can no more help his anxiety than Harry can suppress his need for approval.

And then these two are neighbors, so the poor pig doesn’t even get much relief at home.

Things escalate in a natural – and emotionally honest – fashion. These two are reacting and living under a political system on governmental, corporate, community, and family levels that are revealed with a very deft hand. Their wives and children with only a few lines are fleshed out nicely, and while they seem very wise in their support of the spouses and each other, they also commit a cruel deed that suggests there’s at least one shallow end of the pool.

But people are like that. People fall short everyday and then… well, life goes on.

The story builds up to the destruction of one of these men… and where the average Furry writer might end the story with that destruction, Scott Bradfield does not.

And it’s those last few pages that really made me realize the level of craft and art in this story, as well as the understanding of humanity and Urban society.

“Sergeant Chip” by Bradley Denton
There’s a whole sub-genre in Furry Fiction about Uplifts for military reasons and editor Fred Patten wisely packed this one to top and represent them all. This story won the 2005 Theodore Sturgeon Award and you don’t have to be in much more than a page in to seem the glimmer of why. Chip sounds like a military person and he sounds very much like a dog. When he comes to a concept he doesn’t understand, he accepts that. It’s either mission critical or it’s not… but he does it without a lot of buzzwords like “mission critical.”

What does a dog need with buzzwords?

I am not overly fond of the story delivery conceit of Chip mentally transcribing English dialogue for the English illiterate girl to write down, but it does work in the added benefit of showing that Chip has earned his stripes by becoming a leader; rather than a mere soldier.

I hear Fred is putting together a Dogs of War anthology. If this story is the bench mark, it’s going to be quite a collection.

“Gordon, the Self-Made Cat” by Peter S. Beagle
What a wonderful story about the power of challenging one’s self and challenging the assumptions of others!

A wonderful allegory doing what furry does best by a master storyteller.

The first draft was apparently written in the 40’s, but the idea of self-determination by sheer stubbornness and hard-work still seem as relevant today. Even more so to a group of Furries who believe you are exactly what you decide to be!

This story is so wonderful, I’m considering having children just so I can read it to them!

“The Wishing Tree” by Renee Carter Hall
We started this collection with a 100 year old science fiction story, one of the newest genres in prose, and we are ending with this wonderful allegorical animal fable, one of the oldest prose genres (prose historians may send angry and educational corrections… I’ll read them eventually).

There are so many things I could say about Hall’s writing. One of them being that I am jealous that I could never write such a pleasant tale. My impulses are too dark and mean and I cannot not master them – or at least, I have not yet.

And in this story, we see the unintended victims of alcoholism and mild neglect who deserve a better life. Under her keyboard, she is able to weave a sweet and funny tale that any of us could read to our children.

That’s a talent, and one I admire. And here’s my story…

“The Good Sport” by Bill Kieffer
I wrote this story in 2000 and it was nominated for the Ursa Major Award in 2001. One of the rules of Metamor Keep is that there are no conspiracies to overthrow the Duke. Well, I just had to see how far I could bend that rule with my Reavers.

While this introductory story isn’t about overthrowing anything, I think it’s a nice story about some boys playing in the woods… and one of the boys doesn’t understands the rule as well as he thinks…

This story introduces, I believe, the first cis-gender gay male Keeper who isn’t a rapist; Lars. While homosexuality is tolerated in Metamor Valley, it’s only because of the curse (TV Tropes covers this a bit).

Review of Curtis Jobling’s Wereworld: Rise of the Wolf by Thurston Howl

Eragon meets Game of Thrones and Redwall in this fun epic fantasy.

For many, this book is a furry re-hashing of fantasy tropes: we start out with a farmboy in a rural place barely part of the map in the world Lyssia. Trouble strikes when the boy’s true nature (the ability or curse of shifting into a wolf) comes out. After accidentally killing his mother and escaping his enraged father through the Dyrewood, Drew begins a journey to discover that his real father, much like Eragon’s, was actually a man of power, in this case, one of the shapeshifting kings, a Werelord. Drew struggles to understand his shapeshifting power as well as its place in this world he is only beginning to explore. Amid assassins, torture, and his own fleas, Drew discovers the true beast inside.

While the plot is fun and certainly action-packed from cover to cover, the text is lacking many elements as far as quality. To begin, the style and audience do not mix very well. With a middle-grade vocabulary and style (as well as the “young adult” marketing), one would naturally assume this is for children in middle school. However, the Games of Thrones torture, gore, and violence make you question that quite a bit. It is constantly disorienting and jarring as we have this very naive protagonist in a very simple world with simple politics and one-dimensional characters all around, and suddenly, knives are raked across the protagonist’s ribs, and he’s being whipped repeatedly, leaking lots of blood. You get the point.

The writing is lacking in other areas as well. The rare commas make some sentences almost unreadable; logical fallacies prevail; and redundant phrases abound.

I tend to ignore small writing issues when writing reviews, but when they completely distract the reader from the story, that warrants the critique. Overall, I left this story with just the broadest sense of confusion: what readers were meant to read this? Who were the editors of this project?

On the plus side, this was a fun addition of a fantasy novel into the copia of werewolf literature, and the cover art and book formatting were stellar. Would recommend this book to anyone interested in Game of Thrones.

Furries Return To Pittsburgh For 20th Anthrocon Convention

By Jon Delano as originally posted on CBS Pittsburgh

PITTSBURGH (KDKA) – The furries are back in Pittsburgh!

The 2016 Anthrocon Convention kicks off today at the David L. Lawrence Convention Center.

This year’s theme is “Roaring Twenty” — as Anthrocon celebrates its 20th anniversary.

“Anthrocon’s been here for 11 years and there’s 6,500 people in attendance this particular year. They’ve grown every single one since they’ve been here,” Craig Davis of VisitPittsburgh told KDKA money editor Jon Delano on Thursday.

John “KP” Cole, Events and Director, and Bob Armstrong, the director of vending and photographer for Anthrocon, joined the “KDKA Morning News” to talk about their 11th visit to Pittsburgh.

“We absolutely adore coming to Pittsburgh every year,” Armstrong said.

The convention offers one-day memberships and Armstrong said they have comedy shows, talent shows, parades, concerts and more.

So, why do some people choose to be a furry?

“To understand who a furry is, you need to understand who a furry was. Furries were the fat kids that never got picked at recess, we were that skinny, brainy kid that everybody liked to cheat off of but never wanted to hang out with…but being very social creatures like human beings are, we wanted interaction and we found acceptance and friendship in the very warm, smiling, happy faces of cartoon characters who we saw on television. Well, that’s who we were. Who we are now? We’re simply people who never forgot their childhood friends,” Cole said.

They expect 6,500 to 7,000 attendees with 1,500 in costume this weekend.

The Westin Convention Center hotel even flies the Anthrocon flag, and local businesses like Fernando’s attract Anthrocons with signs, T-shirts, and special bowls, says co-owner Al Budak.

Delano: “You actually serve the food in a dog dish?”

Budak: “Yes, not everyone, but if they ask for it.”

Delano: “How many bowls do you go through during an Anthrocon convention?”

Budak: “A thousand. A thousand, easy.”

Tonic Bar & Grill is another furry favorite.

“It gets ridiculous. Probably our busiest week of the year,” says Anthony Troilo.

Tonic gets into the furry spirit by renaming its food.

“We got like sloppy joe, we call it puppy chow. We got like kitty chow and everything. We got like a nice animal theme. We try to see what they relate to and name it all after them.”

But catering to the furries means big bucks for Pittsburgh.

Delano: “How much do you think you spend?”

Chilli, a Foo Lion: “Maybe — well, it depends on how many people you room with — maybe $500, $600.”

VisitPittsburgh says that adds up to $6.3 million, which many local residents say is just fine with them .

“Amen to that, and the more the better, right? So keep them coming, furries,” says Tim Daigle of Fineview. “Keep coming to Pittsburgh.”

There’s a bit of a love affair between the Anthrocons and Pittsburgh, says Davis.

“We have really embraced them over the 11 years they have been here. It’s become a spectator sport. People like to come down and watch them, and they liked to be watched. So it’s a really great symbiotic relationship of respect for each other.”

“What is there not to like about Pittsburgh?” adds John Cole.

Cole, who dresses as a tiger, is events and program director for Anthrocon.

“Pittsburgh is a fun city to be in, and it’s absolutely fantastic. I think it’s one of the greatest American cities that we have.”

Cole says when you see the furries, remember, “You have people who are policemen and firemen. You have military. You have teachers. You have professional chemists, office workers. You even have people who are very high up in Fortune 500 companies that are here.”

The History of Furry Publishing, Part Two: Current Publishers – by Fred Patten.

as originally posted on dogpatch.press

Sofawolf Press, founded by Tim Susman and Jeff Eddy and currently run by Jeff Eddy, originally from his homes in East Falmouth, Massachusetts and later St. Paul, Minnesota, and now from a warehouse in the latter, was the first really successful furry publishing company in the U.S. Sofawolf became official in October 1999 as a sole proprietorship, with its first publication, the furry general fiction magazine Anthrolations #1, in January 2000. Anthrolations was originally scheduled for semiannual publication in January and July, but it soon ran into the drying up of submissions – except for furry erotica, which Susman & Eddy did not accept for Anthrolations. #7 was published in July 2003, and #8, the final issue, was not until November 2006.

By then, Sofawolf Press was concentrating on trade paperback book publication and two annual magazines in booklet format, New Fables for general furry fiction and Heat for furry erotica. Sofawolf’s first book (not counting Technicolor Dreams, the quickly o.p. two-volume collection in fanzine format of Will A. Sanborn’s furry short stories, in January and June 2000) was the anthology Breaking the Ice, edited by Tim Susman (January 2002, ix + 206 pages), the first of his Stories from New Tibet series. Sofawolf’s second book was Best in Show: Fifteen Years of Outstanding Furry Fiction, edited by Fred Patten (July 2003, 455 pages). That was an anthology of 26 stories advertised as the best from the whole range of furry fanzines from 1987 to 2001. Sofawolf’s next books, like Shadows in Snow, edited by Tim Susman (January 2004), kept the publisher visible in the furry community, but it was with the publication of Kyell Gold’s first novel, Volle (January 2005, viii + 317 pages), that the publisher really became prominent in the community. Volle, an X-rated novel featuring a homosexual anthropomorphic fox in the fantasy world of Argaea, won the Ursa Major Award for the Best Anthropomorphic Novel of 2005. Gold was the first furry author whose work was simultaneously graphically erotic and just as undeniably of high literary merit. Gold kept up his standing with his next books, Pendant of Fortune and The Prisoner’s Release and Other Stories; just as erotic, just as high-quality, and published by Sofawolf Books.Heat11_FrontCover-lg

At the same time, Sofawolf was establishing itself as a publisher of high-quality furry short fiction. The mostly-annual Heat series, an erotic magazine in perfect-bound booklet format, began in January 2004 but quickly moved to every June-July. There are eleven yearly issues to date. New Fables, Sofawolf’s new title for non-erotic furry literature, is published less often, but there have been five volumes since Summer 2007.

In the last five to ten years, Sofawolf Press has added several new authors and artists to its list, including Kevin Frane, Ryan Campbell, Ursula Vernon, M. C. A. Hogarth, Michael Payne,and Leo Magna. Sofawolf is the publisher of Ursula Vernon’s Hugo Award-winning six-volume Digger, and raised $140,000 through a Kickstarter campaign to publish a one-volume Omnibus edition. It can be counted upon to show up at several furry conventions a year, in the Dealer’s Den with at least one table of furry books, calendars, T-shirts, the Artistic Visions artists’ sketchbooks, and more; including at least a half-dozen new books per year. In Europe, it is represented by Black-Paw Productions of Germany and other furry specialty bookshops. By now there are over 75 Sofawolf Press publications. Sofawolf incorporated in March 2010 when its team had grown to four regulars, with Jeff Eddy as President and Treasurer, Alopex as Vice President and Secretary, and Tim Susman and Mark Brown as members of the Board of Directors. Sofawolf Press is not only the oldest of the major furry specialty presses; it is arguably the most prestigious of them. (https://www.sofawolf.com/)

FurPlanetLogoFurPlanet Productions “snuck up” on furry fandom. The modern FurPlanet Productions dates from March 1, 2008, when current owner FuzzWolf in Dallas, Texas, bought it from FurNation’s furry website founder, Nexxus (James Robertson). Nexxus started FurNation in November 1996, and slowly expanded it into a major furry online community by the mid-2000s. FurPlanet was added in 2004 as FurNation’s online store, and the publisher of the existing (since July 2000) FurNation Magazine plus some erotic furry comic books and novels. During 2006 FuzzWolf got involved with FurPlanet’s publishing activities. His responsibilities grew, and he became the editor of FurNation Magazine with #8 in January 2007. FurPlanet also published the convention books for several furry conventions during 2006 and 2007. FuzzWolf and the rest of the FurNation group continued to grow apart, and during February 2008 he bought the FurPlanet name and its publishing activities, removing them from FurNation. (The magazine was returned to FurNation.)

Under FuzzWolf in Dallas, FurPlanet has continued printing furry convention books and erotic comic books. FurPlanet’s first trade paperback book under FuzzWolf was the furry novel When Summer Woke, by David Hopkins (June 2008, 150 pages). FurPlanet mostly specialized at first in furry erotica, such as Within Hallowed Walls, by Andres Cyanni Halden (September 2008, 262 pages). It began to build up its non-erotic line with novels such as Save the Day, by D. J. Fahl (February 2010, 354 pages) and anthologies such as The Ursa Major Awards Anthology, edited by Fred Patten (June 2012, 341 pages).

Today FurPlanet Productions has a varied line of furry erotic and non-erotic novels and anthologies, erotic comic books, and “Cupcake” novellas. It has dealer’s tables at at least a half-dozen furry conventions per year. In addition to its own publications, FurPlanet is also the distributor for Sofawolf Press at conventions that Sofawolf does not attend. (http://furplanet.com/shop/)

FurPlanet Productions actually has three imprints. The most prolific is FurPlanet Productions for those publications expected to sell mostly to the furry market. Argyll Productions is for those publications (mostly non-erotic) expected to have a wider, more general appeal. And then there is Bad Dog Books.

Bad Dog Books began in September 2005 as Osfer’s Joint Publications, an independent specialty publisher run by Alex Vance, a Dutch fan in Amsterdam; changing its name to Bad Dog Books in July 2006. Vance used Lulu.com as his first printer. Its first book was the short-story anthology FANG, The Little Black Book of Furry Fiction, edited by Vance. FANG specializes in furry gay erotica, often with a theme. Volume 1 featured stories in a contemporary setting; Volume 2, published for Halloween 2005, featured Halloween stories; Volume 3, featuring a fantasy theme, was released at Anthrocon 2007. When BDB began to get submissions of non-erotic stories, the publisher added ROAR, The Little WhiteBook of Furry Fiction, edited by Ben Goodridge, in July 2007. That year, BDB formed a partnership with FurNation and its printing arm, FurPlanet, for its printing and distribution.WhiteCrusade-ebookcover-300x463roar

Bad Dog Books followed FurPlanet under FuzzWolf in leaving FurNation. By 2011, BDB had three volumes of FANG, three of ROAR, and several independent furry novels. But the difficulty in running an American specialty press from Amsterdam, plus Vance’s longstanding health problems, resulted in the December 14, 2011 sale of BDB in its entirety to FurPlanet Productions. One of the terms of the sale was that FurPlanet would continue to publish the FANG and ROAR series under the BDB imprint. Today, there are five volumes each of FANG and ROAR. In June 2013, FurPlanet made Bad Dog Books its official digital downloads store; its website currently directs there. Bad Dog Books’ past and present titles are regularly available on BDB’s website, on FurPlanet’s online catalogue, and on FurPlanet’s sales tables at the furry conventions it attends. (http://baddogbooks.com/)

Rabbit Valley – Rabbit Valley Comics; Rabbit Valley Books; Rabbit Valley Inc.; Rabco Publishing Inc.; Another Rabco Disaster; Rabbit Valley Artists Cooperative Association – was started by Sean Rabbitt (two T’s) in North Kingstown, Rhode Island in 1997; moving to Waltham, Massachusetts in 2001. He was joined by his partner (later husband) Andrew Rabbitt in 1999. There is a common misbelief that Rabbit Valley began in April 1987 as Mailbox Books, the first furry specialty mail-order store, by Ed Zolna of Roslyn, Pennsylvania. Mailbox was a high-profile furry mail-order service throughout most of the 1990s. Zolna retired in Summer 1997, selling most of his business including the Mailbox Books name to Limelight Publishing Company, primarily an anime-fan specialty press in Honolulu, which resold it in April 1999 to Sean Rabbitt, who continued to operate both businesses during 1999-2001 until he was threatened with a lawsuit by a non-furry party over the Mailbox Books name. To avoid an expensive lawsuit, Rabbitt gave up the Mailbox name and consolidated both businesses under the Rabbit Valley name in October 2001. So it is not true that Rabbit Valley became just Mailbox Books renamed. (Zolna “unretired” in July 2003 and started Second Ed Mailorder, a similar furry mail-order service. It has a few titles only available elsewhere from Rabbit Valley, but doesn’t publish anything of its own.)

Over the next decade, the Rabbit Valley Comic Shop expanded to add more staff and to offer mail-order sales of practically every furry publication that there was, including all books, comic books, and art folios. As Rabbit Valley Comics, the store published several furry erotic and non-erotic comic books of its own; notably the non-erotic Circles, begun in 1999. In April 2009, Rabbit Valley relocated to Las Vegas, Nevada. There were sporadic books earlier (notably the hardbound Associated Student Bodies Yearbook, by Lance Rund & Chris McKinley in June 2004), but the store’s first regular furry book under its own name was an American edition in September 2011 of the 2006 British Tales of the Fur Side by Vixxy Fox and Dark Natasha, with a different cover.

RV’s first totally original trade paperback was The Prince of Knaves, by Alflor Aalto (March 2012, 406 pages). Rabbit Valley rapidly increased production until today it publishes several novels, collections, and anthologies a year, plus other furry specialty books. RV added a digital furry book distribution service in February 2013 that today has over a hundred titles available. RV is the publisher of the Furry Writers’ Guild’s first anthology, Tales from the Guild: Music to Your Ears, edited by AnthroAquatic (September 2014, 133 pages). RV also does DVD and CD manufacturing for the standup comedian 2, the Ranting Gryphon, and a half-dozen furry musicians. Rabbit Valley is one of the Big Three furry specialty presses (with Sofawolf Press and FurPlanet Productions) that attends numerous furry conventions a year; twenty-four during 2014, including four overseas. (https://www.rabbitvalley.com/)

Jarjarpresslidium Press was started by two Seattle furry fans, James “Tibo” Birdsall & Dan “Flinthoof” Canaan, in 1998 when they leased a commercial photocopier to publish fanzines, comic books, flyers, the convention books of Seattle’s annual Conifur Northwest convention, and similar “ephemera”, usually furry art-related. Over the years, occasional publications have matched professional trade paperback collections of newspaper comic strips, but these have been collections of Internet furry comic strips. The earliest of these was the Dela the Hooda Treasury, Volume 1, by Style Wager & Greg Older (June 2000, 118 pages). The most elaborate has been Death on the Omnibus, by Dan Canaan (December 2011, 339 pages), a complete collection of Canaan’s Roomies anthropomorphic comic strip in a “real book” format. Beginning in December 2010, Jarlidium Press has begun a series of reprint collections of all 69 issues of the fanzine Yarf!, The Complete Yarf!, at five issues per volume. So far there have been three volumes: Volume 1, issues #0-#5, November 2010, 248 pages; Volume 2, #6-#10, November 2012, 248 pages; and Volume 3, #11-#15, December 2013, 290 pages; with Volume 4, #16-#20, scheduled for Further Confusion 2015 in January. The Jarlidium Press publications are usually available only by mail-order sale from Rabbit Valley and Second Ed, and the few furry conventions at which Birdsall & Canaan have a sales table. Jarlidium Press also took over publication of the semiannual magazine North American Fur with issue #4, Spring 1999; the current issue is #30, Summer 2014. (http://www.jarlidium.com/)

Anthropomorphic Dreams Publishing seems to be dead, or at least dormant, as a print publisher. It was started by Will A. Sanborn as WAS1 Productions, with trade paperback books printed through Lulu.com. Sanborn’s first was The Journey, published in September 2007. His next five books were novels and collections by himself or anthologies that he edited, switching from WAS1 Productions to Anthropomorphic Dreams Publishing between his New Technicolor Dreams in November 2007 and Alone in the Dark in October 2008. ADP’s first book by a different author was Bait and Switch, by Austen Crowder, in November 2010. ADP published a memorial collection of short fiction by Michael Bard, A Horse of Many Colours, in November 2011. Its last book was the novel By Sword and Star, by Renee Carter Hall, in February 2012. Since download (2)thdownload (1)downloaden, ADP has remained active through frequent audio podcasts, although there was a recent hiatus from December 2013 to June 2014, and nothing since then. It is unknown whether ADP will return to furry book publishing. (http://www.anthrodreams.com/)

Jaffa Books is Australia’s first furry specialty press. It was founded in Brisbane, Queensland as a bookstore by Jacob F. R. Coates in March 2011, with its first books on sale in October; to import, publish and distribute both furry titles and authors with little to no publication history, especially in fantasy fiction. JB as an importer has become the official Australian retailer for FurPlanet Productions and Rabbit Valley, and all titles by Kyell Gold. Under the name of Jaffur Books, JB is consolidating all of its furry titles. Jaffa Books has been attending all furry conventions in Queensland (RivFur in Brisbane and FurDU in Gold Coast City) for the past couple years, and will expand to Western Australia (FurWAG in Perth) in 2015 and Victoria (ConFurgence in Melbourne) in 2016. JB’s first original titles (only arguably furry) are the dragon fantasies Axinstone (December 2013, 252 pages) and Impossible Magic (August 2014, 235 pages); both by J. F. R. Coates in his The Destiny of Dragons series. It will publish its first “regular” furry novel, Reborn by J. F. R. Coates, in May 2015. (http://www.jaffabooks.net/)

That’s about it. There are occasional furry books from other publishers – Mike & Carole Curtis’ Shanda Fantasy Arts, primarily a furry comic-book publisher from June 1996 to September 2012, issued two books; the cartoon-art Here Comes a Candle, by Mary Hanson-Roberts (July 2000, 215 pages), and the novel The Iron Star, by Brock Hoagland, illustrated by ten furry artists (July 2003, 160 pages). Two furry authors, both in Australia, have either started their own small presses or have self-published so many books that they seem like furry publishers. Bernard Doove in Melbourne has been writing on his website, The Chakat’s Den, since 1995. In July 2005 he began collecting his short stories into books, at first through Kyim Granger’s Fauxpaw Publications and then through Amazon.com’s CreateSpace after Fauxpaw went out of business. Doove currently has 11 trade paperback novels and short story collections, available on Amazon.com. Paul Kidd in Perth started his Kitsune Press on March 2007 for his own books in paper and Kindle editions, plus those by other publishers, with printing of those not by mainstream publishers through Lulu.com. Kidd currently has over twenty books plus his role-playing games, comic books, and computer games available through his Kitsune Press website (http://paulkidd.net/kitsune-press/). Most of the books are also available on Amazon.com. Several other furry authors publish through CreateSpace and sell through Amazon.com, but with almost no exceptions, they have less than five books and use the CreateSpace imprint.

These, plus a few exceptions, are what is meant by “furry publishing”.