The Saga of Rex by Michael Gagne

It begun with an email

I’m Michel Gagné, a BAFTA and Annie Award-winning animation filmmaker, and I thought the story behind my new feature film, The Saga of Rex, might be of interest to Furry Times.

Rex is an anthropomorphic little fox I first created in 1998 in a 32-page black-and-white storybook, A Search for Meaning: The Story of Rex. In 2002, I released a color edition of the book, which was a huge hit at Anthrocon 2004, where I was Guest of Honor at the convention.

The character later evolved into a series of graphic-novel chapters published in Kazu Kibuishi’s FLIGHT anthology and was eventually collected as the graphic novel, The Saga of Rex, by Image Comics.

For the past 14 years, I’ve been adapting that story into a hand-drawn animated feature film. I created, directed and single-handedly animated the film, with the assistance of one inbetweener, my friend Seung Kim.

The film’s first official trailer will premiere worldwide online this Friday, August 21, at noon Pacific Time.

My professional career has included work on more than 25 feature films, as well as animation, visual effects, video games and comics, but The Saga of Rex has been an unusually personal undertaking. I essentially stepped outside the traditional production system and spent 14 years creating the feature according to my own vision.

I thought the connection to the furry community going back to Anthrocon 2004, combined with Rex’s long history as an anthropomorphic character and the unusual 14-year production, might make for an interesting story or interview for Furry Times.

I’ve attached my press release, which includes a private screener link for the trailer, as well as production stills and additional information. I’d be happy to provide anything else you might need or make myself available for an interview.

Thank you for considering it.

Best,

Michel Gagné
Creator / Director / Animator
The Saga of Rex

Sorry for the delay folks, but here it is finally the trailer of The Saga of Rex

Gagné began developing the feature film in earnest following a successful Kickstarter campaign in 2012. Shortly afterward, the film was optioned by GRID Animation in Belgium. GRID ultimately relinquished the option in 2018, and the IP and all rights reverted to Gagné.

Free from the constraints of a traditional production structure, he embarked on an unusual experiment: making the feature himself, with the assistance of a single inbetweener.

The result is a film born from an intensely personal creative process—one in which Gagné created, designed and animated the film over more than a decade.

“I wanted to make the film that was in my soul,” says Gagné. “To do that, I needed to remove the commercial and transactional aspects of the process. The film became a pure form of expression, dictated by the story and by my own creative instincts.”

Gagné’s career spans decades of work in animation and visual effects, including work on numerous major feature films. He is a BAFTA and Annie Award-winning animation filmmaker whose distinctive visual style has been seen across films, video games, comics and more.

Yet The Saga of Rex represents something fundamentally different: an attempt to create an entire feature film according to one artist’s singular vision and on his own terms.

The film is now nearing completion, with final sound work underway. Gagné plans to have the film completely finished by the end of 2026, with festival screenings and release plans beginning in 2027.

Mom’s Cat Review by Grubbs Grizzly

Mom’s Cat is an intense, yet quiet, short film by Hungarian writer/director Annabella Schnabel, who produced it for her diploma project at the University of Theatre and Film Arts in Budapest. It has already garnered several awards, including the Grand Jury Prize at the 29th Chicago Underground Film Festival, First Prize at the 19th Pannonfíling Film Festival, Best Short Film at the 8th Nefiltravane Kino Film Festival, and Best Young Director at the 13th Short to the Point International Film Festival. It was screened at several Oscar-qualifying festivals, such as the 70th Melbourne International Film Festival, 40th Flickers’ Rhode Island International Film Festival, 52nd Nashville Film Festival, and the A-listed 43rd Moscow International Film Festival, earning a spot on the 2023 Student Academy Awards long list.

I had the opportunity to watch this 18-minute film, and I can say the plaudits are deserved.

For those of you who don’t know me, I have been writing a furry advice column called “Ask Papabear” since 2012 (www.askpapabear.com), and over the years I have been approached for advice from many furries struggling with wanting to be a furry even when their families, peers, and society reject them. This dilemma is a complex issue about which one could write an entire book—even books. I mention all of this so that the reader knows that my reactions below are based on my extensive familiarity with furries.

What impressed me most about this film is how Schnabel packs so much emotion into just a few minutes and with minimal dialog. Every word uttered, every movement the actors make bears weight.

Without giving anything away, the story is basically this: 30-something Felix (Attila Fritz) lives in squalid conditions with his mother, who barely tolerates her son and clearly despises him for not being “normal.” One day, Felix gets exciting news that a company wants to hire him to be a kind of mascot-for-hire, which means he can get paid and wear his fursuit! Felix is immensely proud of his fursuit, which he made himself. So, off he goes to his new job, where he meets coworkers who seem shy but admire his fursuit, which is a kind of winged cat. What follows are some ups and downs in his job that adeptly capture the sensitivities of the kind and sweet Felix, who only wants to be happy, and a mother and society that despise him for being abnormal. The conclusion is tragic, sad, disturbing, and oddly sweet.

If I could encapsulate all the worst experiences and angst I have encountered in my 13 years as a furry advice columnist into one character, Felix would be that character. Similarly, every scene, every word of dialog, every gesture, and every movement of the well-directed camera compresses a world of misunderstood love like a telegraphed message in which each dot and short dash has a significance. A rose, a hesitant touch, a half-eaten chicken foot, and many other images add to the painting like dots on a pointillist painter’s masterpiece. When Felix explains to his coworkers why his fursuit has wings and why there are stripe marks on the head, for example, Schnabel reveals in a few seconds how a fursuit can contain deep personal meaning for its wearer. It is just one of many poignant scenes here.

To be clear, Mom’s Cat is not about the average furry experience, but it is about a side of the fandom that is very true indeed and to which many furries will relate.

I would give it two thumbs up, but I’m a bear and don’t have thumbs, so I will give it a big Awoo! instead.

[You can read an interview with Schnabel by going here https://magyar.film.hu/filmhu/magazin/schnabel-annabellea-a-furry-szubkultura-mogott-gyakran-lelki-sebek-rejtoznek-interju.html and hitting Translate. There is a link to the movie at the bottom of the article. It’s $5 to watch.]