Furries Explain How They Developed Their ‘Fursonas’ By Zak Krevitt

as originally posted on vice.com

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All photos by the author

When people hear “furry” they instantly think of big, fuzzy animal outfits, called “fursuits.” Not all furries have fancy, ornate ones, but many in the fandom go all out when it comes to their second skin. For those looking to take their involvement in the community to the next level, the creation or commission of a fursuit is an act of outward expression and serious dedication (often, a financial one).

Fursuits can be intrinsic to the identities or alter egos that define the lifestyle, and some furries even keep multiple fursuits for multiple personalities. Most furries have concepted characters—referred to as “fursonas”—that they choose to represent themselves, and the suits can help articulate certain aspects of each character. For some, the fursona is an elevated state of self, an expression of an inner animal. For others, it’s more fantasy-based, a crafted identity, representing something they aspire to or deem important.

Fursuits are built by specific furries, many of whom make their entire living creating commissioned suites year round. While the cost of most fursuits hover around the $1,000-$4,000 range, they can cost up to $10,000, depending on intricacy, quality, and the reputation of the maker. While at Biggest Little Fur Con—the fastest-growing furry convention in the country, held in mid-May in Reno, Nevada—I caught up with a handful of furrys to find out about the genesis of their fursona and fursuits.

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JEBRONI, aka “Certified Love Kitten”
Maine Coon Kitten
I’m Jebroni Kitty, and I come from Chicago. I came up with my character because I was trying to discover what I liked [within the subculture]. I took pieces of inspiration from things like Second Life to create my fursuit, and I’ve always been a cat. It’s just how I’ve always acted and felt.

I love hearts, and I like blue and pink—the colors of my fursuit—because they just mix well together. I’m a big guy, but I wanted to be a house cat, so I’m a Maine Coon. Big, husky, cuddly, and very mild-natured. I became known as the Love Kitten after going out with my stuffed hearts, which I carry around with me a lot. I often give my heart out to people, and then other furries started calling me Love Kitten.

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MUKILTEO
Dog
I live on Woodbee Island in Washington State and this is my character Mukilteo. I have a website where I teach people how to make and build fursuit costumes, too. I have been in the furry fandom for a very long time, since 1998 or 1999.

Mukilteo was my first furry character, I had gotten this costume as a trade with another fursuit maker. This character is the bad dog. He wears a shock collar and he’s a dog party advocate. He fights for Couch Rights and access to fresh water and walks to the park, and more treats! We want fresh bones and snacks!

I have another character, Matrices, and she’s a gray dog, with folded back ears, and has a marking on her forehead. She’s the one that really represents myself more so than Mukilteo, and she is the one I have as my avatar online. But Mukilteo is my fun one to take to the dance.

I know I’m a human on the inside, but it’s fun to play around and have a different character for a little while. I’ve had the character so long… it’s been about 15 years or longer.

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TROUBULL
Bull
Originally [my species pick] came from the ox in the Chinese Zodiac. The ox is the working animal, and I’ve always felt that in my life I have been the one working long hours, seeing things through, being someone people can count on. The bull and the ox are very similar, with the exception that the ox can be a bull and it also does chores. I’ve always identified very strongly with that.

Initially I started as a fox, just cause I had no clue what to do. All of my friends at the time were equine or horses, and I kind of felt like I didn’t want to do the same thing that they did. I realized that not only was the bull interesting, but it was unique. In addition to that, there are all different kinds of pun-ish humor to it, like being the bull when cows are the ones that make milk—and milk can kind of be associated with something that’s not appropriate.

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MARTIN FREEHUGZ
Wolf
Furry Martin and human Martin are pretty much the same being. The only difference is that one’s human and the other is a blue wolf. Everything I do as a human (mannerisms/actions/sounds) are all stuff I do in my fursuit. I do get more cordial and energetic as wolf Martin. I love seeing people happy and wolf Martin easily fulfills that need.

I decided on a wolf because I’ve always respected their raw primal power. A wolf is ferocious, yet still has the ability to be charming and lovable. I decided to pick blue as the primary color on me for a couple of reasons. For one, blue is extremely rare in the animal kingdom (a blue wolf in real life would have a very hard time surviving).

I’m a bit idealistic toward the sustainable lifestyle and the struggles of life. Living a normal, stagnant life is not my intention. Living as an outlier humbles me. Experiencing the lows and savoring the highs is what life is about. Being blue in the wild would make life tough… Just the way I want to experience it. Darwin would be disappointed in my fursona. Also, blue is my favorite color.

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RABID RABBIT
English Spot Breed Rabbit
I decided on the name a long time ago. My original fursona was a crazy rabbit with a straight jacket. When I got my fursuit, I wanted a happier and toony character that was easily approachable. My name, “Rabid,” had already stuck, though. I decided on the rabbit because I’ve always loved them and felt a connection to them—perhaps because they, like the coyote and fox, are the tricksters in mythology. Unlike the coyote and fox, they are not predatory and are not nefarious.

I identify with my fursona and do consider myself and my fursona as one in the same. I have two new fursuits commissioned from Rabid Rabbit. Between fursuit commissions, conferences, and other activities, I’m sure I will spend about $10,000 this year on my furry lifestyle.

Link to the photographers site

Acceptance and Affurmation: Examining Queerness and Normativity Within the Furry Fandom

By Oxley as originally posted on adjectivespecies.com

The year is 2015, and marriage has finally been confirmed as a right for all Americans, whether gay, straight, or otherwise. Though the legislation has brought the queer community (sometimes referred to as MOGAI, or “Marginalized Orientations, Genders Alignments, and Intersex”) farther than it has ever been before in its fight for civil rights, talk of marriage now overshadows other important LGBTQ+ issues: many groups still find themselves marginalized and vulnerable in society. As the struggle slowly progresses, though, queer America has found both allies and enemies in the strangest of places. Individuals from some of the most conservative corners of politics have shown solidarity to the queer community, as have major corporations and brands. Nonetheless, their backing has often been motivated by political or economic gains—after all, in many places it would be considered political suicide to denounce marriage equality. Rather, various other communities and subcultures have often proven to be most readily and enthusiastically supportive of social progress. Countless YouTube stars have advocated for marriage equality or even used the site as a medium through which to come out, while common names in music have vehemently opposed restrictions on marriage.

Perhaps the most perplexing source of support for queerness in America, though, comes from the ever-controversial furry fandom. For years, furries have had intrinsic ties with the queer community, as only a minority within their numbers are straight. While furries as a whole have certainly never been a strong voice against equality regarding gender and sexuality, though, their advocacy of gay rights is nonetheless imperfect, and often detrimental to those who do not fit the more easily-recognized definitions of “queer”—that is to say, the transgender population. Still, observing a subcommunity as being a largely queer space offers a peculiar analysis of it, from an angle that is not often used. That said, the intersections between the queer community and the furry fandom provide a valuable insight into modern conventions of normativity, and the queer community’s interactions with society as a whole.

Queerness, like the people often described within the term, is an inherently dynamic movement. The focus, goals, and even terms associated with it are in a constant state of change—a lesbian in the early 1900s, for example, would have been referred to instead as an “invert,” while words such as “queer” itself defy concrete definition by their very nature. Needless to say, such an ever-changing culture within society has invited numerous different interpretations and reactions. Many believe that the most successful approach to the queer movement is the radical liberal stance. Operating primarily through politics, liberal queer theory seeks to affirm and verify the queer identity, while at the same time demanding equal protection under the law for all people. Such groups as the Mattachine Society worked to unite and strengthen the gay community and aid those who suffered oppression on a regular basis (Katz). The intended effect of this movement is an enhanced public visibility, in which various queer identities can exist unthreatened, combined with a strict sense of privacy to protect the lives of those considered “deviant.” These approaches have generally elicited a defensive reaction from their opposition—the queer community gained traction in the legal sense, but had little effect from a social standpoint. American society, as Lisa Duggan describes it, shifted to a sort of “No-Promo Homo” philosophy in which various queer identities are condoned and tolerated, but only so long as they are hidden away from the fragile public eye—“gay sex is fine in ‘private,’” as she explains the phenomenon, “but should not be ‘displayed’ or ‘promoted’ in public” (Duggan 181).

In contrast to the unapologetic and unabashed activism of the larger queer community, some choose to follow a more assimilationist path, seeking acceptance into conventional society by appeasing the mainstream’s aforementioned air of wariness. Known as homonormativity, this theory suggests that people of various sexualities can coexist, but only on the condition that such differences between them are never talked of. A convenient depiction of homonormativity in action is present in the repeal of the military’s previous “Don’t Ask, Don’t Tell” policy, in which gay and lesbian soldiers were permitted to serve only so long as they did not reveal their sexual orientation. Though the move to repeal the act is indeed a positive step for gay Americans, it comes with interesting implications: gay soldiers were permitted to openly serve in the military on the basis that they are exactly the same as anyone else, and do not present any real threat to society. It is, of course, worrying to suggest that anyone is inherently threatening due to their sexuality at all.

To some, this model is desirable, as it promotes a sense of equality, if only one that cannot be openly discussed, and a kind of safety in silent acceptance. Those within the queer community who seek a homonormative resolution often depict themselves as moderates—proponents of the Independent Gay Forum, for instance, are known for their opposition both to radical liberalism and reactionary conservatism in regards to the queer movement, often upholding the gay lifestyle due to its failure to present a tangible adversity to the heterosexual majority (Duggan 184-185). At first glance, it seems a viable option: those who are included in society are rarely threatened by it, nor do they threaten it in turn. However, the effect of homonormativity is not nearly so simple. Though it proposes an easy fix to the queer/anti-queer dichotomy of society by supposedly advocating for acceptance and common ground, it does so not by demanding a change within society, but demanding that the queer population find a way to “fit in,” upholding cisgender heterosexuality as the standard option. This, of course, is an inherent inaccuracy, and as argued by Adrienne Rich, poorly depicts those who do not fall within society’s narrow definition of “normal” as mere alternates to an already-present standard. Such ideologies, she asserts, are responsible for the portrayal of the lesbian identity as “the mirror image of either heterosexual or male homosexual relations,” when in fact, the culture and history that has formed the modern definition of lesbian far further separates them from other communities, however similar they may be (Rich 13). In essence, this perceived homonormativity erases the identities and humanity of all those within the queer community who fail to prove themselves to be societally sufficient.

Often, those who are cast aside in this manner are abandoned in a legal sense as well. In its simplification of sexual and gender identities, homonormative thought only grants rights to a handful of token individuals who happen to fighting for the correct rights: while the 2015 legalization of same-sex marriage is considered a giant step for the LGBTQ+ movement, it did little to protect gay and lesbian couples, or even individual people, from discrimination in areas outside of marriage, and was completely irrelevant to the struggle for trans rights, which is still ongoing. There is little attention given, as well, to the struggles of gay couples separated by prison sentences or with complications such as physical or psychological disability (Mullane). It may yet be argued that the homonormative approach does indeed seek the inclusion of once-frowned-upon individuals. Still, the concept of queer is an ever-changing one, near impossible to define with any sense of finality—inclusion of only a single group under the umbrella of “queer” inevitably leads to the exclusion of other such groups. So long as this model of inclusion-by-exclusion is followed, homonormativity will never be able to satisfy the needs and demands of the entire queer community.

Though it bears repeating that the homonormative approach to society cannot possibly hope to achieve a resolution for the queer movement, it is difficult to suggest a valid alternative. After all, homonormativity rarely concerns itself with any but the most legal and political struggles regarding gender and sexuality, while in reality, much of the oppression directed at queer individuals occurs on a societal level. It is as such that the responsibility for advancing the queer movement must be shifted away from the courtroom, and onto individual people and focused groups. No longer can it be assumed that mere laws will protect all individuals, but rather, as the voices of the queer community have been silenced, it is increasingly important to maintain this voice, as well as an active presence within the public eye. In recent decades, this goal has become perpetually easier to achieve, especially with the dawn of the Internet. Association and collaboration no longer require one’s physical presence, while simple self-expression can be broadcast and promoted to millions of people. This brave new world has empowered the queer community in a variety of ways, from allowing the quicker communication of thoughts, to aiding real-life assembly in LGBTQ+-related events. Most notably, it has also given rise to a host of new Internet-based subcultures, many of which convey an atmosphere of progressive thought and are open to less-conformist ideologies. Opinions vary by subculture, needless to say, though one in particular has proven itself to be especially affirming of the queer community.

—Enter FURRY FANDOM, stage right.

Initially conceived in internet chatrooms and sci-fi conventions as early as the late 1980s, the furry fandom has since grown into a full-blown community spanning numerous continents. Its followers—self-described “furries”—are people of all ages, fascinated at the concept of the anthropomorphic animal, each for their own unique reasons. As such creatures do not in actuality exist, the fandom relies on the Internet to sustain itself—some furries make various forms of visual art involving their creations, while others engage in activities such as roleplay. Regardless, to the furry, the connection between human and animal runs deeper than mere passing interest. Donald Jones briefly investigates their interactions in his thesis Queered Virtuality, focusing on the virtual world known as Second Life. He notes that “some view ‘furry’ as important subject position within their construction of identity,” going even so far as to describe them as “a new type of queered identity” (Jones 85).

While this statement may rationally be considered somewhat of a stretch—after all, the general disdain directed at furries nowhere near matches the oppression and discrimination faced regularly by the queer community—it is undeniable, upon further investigation, that the ties between the two groups are nonetheless intrinsic.

In early December of 2015, I conducted a poll amongst furries, primarily online and over social media, regarding such issues as sexuality and gender identity. Results and methodology are available here. Results showed that heterosexuals may actually be in the minority of the fandom, making up only 10.58 percent of respondents—less than either gay, bisexual, pansexual, or asexual responses. Meanwhile, nearly one-tenth of respondents openly identified as polyamorous. When asked a variety of questions, the vast majority of furries responded with resounding positivity regarding the mood of the fandom towards matters of queerness—most said that they were entirely accepted for their sexual orientation and were often shown support and affirmation when expressing themselves openly. As one respondent offered, “Without other furries, I don’t think I could’ve ever come to terms with my own sexuality and place in the world that my sexuality leaves me with. The furry fandom has definitely helped me in that regard.” Granted, a survey of scarcely over 400 people, conducted largely over social media—during the same weekend as a major furry convention, no less—cannot by any means be considered the end-all and be-all of demographical studies. However, it is worth noting that the results, especially regarding gender identity and sexual orientation, resemble those of other significant studies conducted within the furry fandom, including the 2013 Furry Survey conducted by [adjective][species]. Their data—conducted over a much larger group of individuals and longer period of time—also suggests a relatively even distribution of sexuality within the fandom, or at least, one that is more even than the distribution in mainstream society.

Prominent fandom member and Anthrocon CEO Dr. Samuel Conway suggests that increased queer presence in the furry fandom may be attributed to the fact that the community therein, “being open and accepting, provides a welcoming atmosphere, a safe haven that attracts people who have felt repressed,” or alternately, that “The number of homosexuals in Furry Fandom is no higher or lower than the number in a cross-section of society…it is only that here they do not feel that they must hide who and what they are” (Conway). Conway is, of course, entirely correct—though the notion is, in his own words, “pure speculation on [his] part,” the furry fandom has been known throughout the years to be incredibly and unapologetically accepting of the gay community, as well as other sexual minorities—the overwhelming majority of furries vocally and brazenly support the queer movement. Many view the furry community to be a relatively safe space for those of various sexual orientations; thus, significant proportions of the furry community directly identify with the movement.

In some ways, the furry as an identity is the ultimate foil to the spread of homonormativity. Refusing to merely condone various sexual orientations, the furry community has instead proven itself to be open and affirming with an enthusiasm few other groups can exhibit. As to their voice and refusal to be silenced by homonormative conventions, there aren’t many forms of self-expression that speak louder than a giant animal costume, or “fursuit,” worn in real life by many members of the fandom at conventions and elsewhere. Furries have even branched out into other societal subcultures, joining and perpetuating queer-friendly movements and events—one notable example is HavenCon, a nascent queer-friendly video gaming convention in Austin, Texas, intrinsically connected to the furry fandom through its attendees, vendors, and promoters.

Still, despite the survey’s relatively positive feedback, a critical trend eventually unfolded. Despite the furry community’s adamant support of various sexualities, many believe it is significantly less accepting towards those of less-common gender identities. A number of respondents voiced their concern and dissatisfaction with the fandom’s treatment of trans people regarding both their sex and gender. One in particular left a powerful testament to her negative treatment as a trans woman at the hands of the fandom: “…I experience regular and frequent microaggressions from white cis and trans people within the fandom, which frequently push me into a very bad [mental] state; the closest I’d say I’ve ever come to contemplating suicide. Much of this comes from [people] who enjoy portrayals of trans bodies [in adult art] but hate us as real people of course; but a huge amount of it comes from other trans women acting what I like to call internalized transmedicalism—that is, treating trans womanhood as being automatically equated with a desire to replace a penis with a vagina, and so on.” Regretfully, the transmedicalism to which she refers is grossly problematic to the trans community, especially for those who do not want genital-reconstruction surgery, or cannot afford it—this, of course, negatively affects trans people of all walks of life, not just those within the furry fandom. The reaction that some trans people experience sans-surgery is, at best, a subdued sense of expectation from others, coupled with the assumption that they are only waiting for a surgery they have not yet had. Though surgery is a common desire within the trans community, it would be fallacious and misleading to suggest that it is universal (Allen, 103).

Equally worrying is the inherent fetishization of the transgender body from within some parts of the fandom—even worse, that such objectification should occur without any respect for real trans people. Still, trans women were not the only group that attested cases of marginalization and victimization; one agender respondent claimed that they had been told that they “do not belong in the [queer] community,” further going on to relate a number of death threats they had received from other furries, while genderqueer and genderfluid individuals also recounted cases in which others had refused to accept their gender identity as real. The same trans female respondent summarizes the situation flawlessly: “…the community at large in my experience has generally been at best tolerable, and at most horrific. It is perhaps better in some ways than cisgender hetero mainstream US society, but generally not by much unless you’re a gay man.” This is no reason, of course, for these aforementioned gay men to feel guilty for their identity—acceptance is not something to be embarrassed about, after all. Nonetheless, the apparent desire within the furry community for conventional, easy-to-understand is an undeniable sign of homonormativity.

Most troubling of all is that these incidents of transphobia within the furry fandom, numerous though isolated, seemed to have gone entirely unnoticed by nearly anyone who identified as cisgender, which is to say, those specifically who have not experienced such hostilities themselves. As mentioned, nearly all other accounts of the furry community taken through the survey were wholly positive, and expressed no indication of awareness of the struggles of some transgender furries. It is interesting to note that even Dr. Conway’s mention of the queer community stopped short at sexual preference, failing to bring up issues of gender identity despite their undeniable presence in the community. Quite possibly, this dichotomy—that is to say, the contrast between the marginalized trans/nonbinary furry and the unaware cisgender furry—is due to the fandom’s demographics. Both the more recent survey and [adjective][species]’s poll suggested that a significant majority of the fandom is composed of white, presumably cisgender males, those who are the least victimized by society, while the trans and nonbinary populations amongst furries are relatively minute. As such, it is possible that their struggles are simply less visible to the majority of the furry community. Nevertheless, the possibility still remains that the fandom is simply not as accepting as it would appear superficially. After all, furries are still human at the end of the day, and still live in a society that perpetually resists acceptance of the new and unfamiliar.

Regardless of reason, though, it is entirely plausible that the contrast between acceptance of more vocal groups and exclusion of the less well-accepted amounts to a form of homonormativity present in the furry fandom. Recent years have seen the fandom gaining traction and popularity in society, coincidentally as gay rights have advanced. It is hardly a secret that many furries wish to be more accepted for their interests in the anthropomorphic by a society that has long shunned them—the lack of acknowledgment of trans and nonbinary presence serves, to some degree, to “excuse” the fandom, making it seem less threatening to societal norms fitting its members into the narrow slot of acceptance allotted by the mainstream. Of course, it is equally conceivable that the community within the furry fandom has fallen victim to a transnormativity of sorts: as every set of data has its outliers, so too do furries, and there were indeed a small handful of trans respondents to the survey who claimed to be accepted by their furry companions, or at the very least, not aggressively contested. The situation brings up questions regarding how much of this phenomenon is the responsibility of the furry community, and how much is the result of societal influence. Due to ever-present homonormativity on a larger scale, it is much easier and safer to openly identify as gay—a slightly more condoned identity—than as trans or nonbinary. Though furries are hardly mainstream, they are also not vehemently opposed by many who lack the interest or effort to condemn them. It is likely that the same would not be true if they were as highly trans-representative as they are pro-gay.

Is it possible to say with certainty that the furry fandom is either more queer or more homonormative/transnormative? Hardly—like society at large, furries are a rapidly-changing demographic, nearly as difficult to define as the concept of queer itself. As many respondents suggested, their interactions with the fandom change radically on a case-by-case basis; it may very well be that more prominent or more vocal members of the fandom are more accepting, and that transphobia exhibited by some is largely the fault of problematic fringe members. Even if the furry fandom is more queer than it is homonormative, it is likely only enabled to exist as such without extensive antagonism due to the homonormativity of society at large. If anything, the furry community may be excused of its imperfect track record regarding support of the trans community as society has done little better in history. After all, taken at face value, the fandom appears to be emulating the same progression that the queer community itself once underwent, first exhibiting heavy focus on issues of sexuality, then gradually becoming more accepting of issues regarding gender. In this regard, though, furries run the risk of repeating the very history that preceded them in the 1900s.

Still, no matter the gleaming, positive testaments provided by those that are considered accepted, nor the scathing reports of discrimination offered by those who are marginalized, it is important to remember that despite its close connection with the queer community, the furry fandom is ultimately just that—a fandom. It has no governing body or concrete set of principles, and it is just as flawed as any other largely Internet-based subculture. It is scarcely deniable that furries are more progressive-minded and forward-thinking than most other subcultures, though, and some hope exists that the fandom may eventually rid itself of its inherent transphobia. If there is any hope to be had for the trans furry subcommunity, it is the structure of the entire fandom itself—highly vocal and highly visible, the fandom relies on the same self-expression that serves as a driving force for many facets of the queer community. Though the fandom has not truly and completely shifted in favor of the entire LGBTQ+ movement, it is not farfetched to say that it is only a matter of time before it inevitably does.

This article released under a Creative Commons BY-NC-SA 3.0 license

Furry 4 Life Warning

Furry 4 Life (a furry forum) has been around in one form or another since 2008. I was once even a member when they were apart of a free webserver on the Ning Network. But right now that is one forum I have to say avoid at all costs. As one former member has said.

I have been to that website, they claim it is free but only the creation of the profile is free after that you need to pay into it to use any aspect of the website and you have no absolutely no control over your own profile not even the ability to delete it if you should choose to do so.

Forums should be free, as there are so many good ones that are. Do yourself a favorite avoid Furry 4 Life,

Review of Roar Vol. 1 by Thurston Howl

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“A Close Port of Call” by Altivo Overo is a high sci fi story centered on zebra dockmaster Mark Partine who is sent on a diplomatic mission with the charismatic lion captain Teftawn. Most of the story has Mark being nervous around Teftawn due to the species difference of predator-prey. However, the captain is sexually interested in the zebra. Amid struggles in the mission, Mark fights with his insecurities around the captain. Aside from a good writing style, the plot and characters were over-simplified and too predictable. The story is consistently homoerotic, yet the captain’s final pursuit of the zebra is written as if it should be a surprise. The sci fi universe portrayed in the story is also not very well fleshed out. Immediately after reading it, I realize I had no idea what most of the settings looked like. From an editing perspective, I would have liked to have seen a stronger opening story to the collection.

Fugue’s story “A Clockwork Mind” is a steampunk piece that inspired the cover art for the collection. A fox professor of Clockwork engineering learns that his father is dying and encounters an interesting character on the train to meet his father: a jackal sailor who is also an abolitionist and the son of a famous slave trader. Despite the unnecessary intro, this story is one of the better ones in the anthology. It had a clear sense of pacing, keeping the reader engaged and integrated the world-building efficiently throughout. I immediately felt like I was a citizen of Fugure’s clockwork world, and the in-depth characters were delightfully intriguing. Furthermore, it would be a great conversation starter for anyone interested in A.I. philosophy.

“A Song for Pandora” is a speculative fiction piece by Kevin Frane. It follows young ferret college student Cassie as she struggles with odd dreams that have her in the body of Pandora, a special ferret with the same father as Cassie. Pandora seems to be the holder of secret information that has been forgotten and forbidden in her society. For dream fiction, the story is quite cohesive and only initially disorienting. The author’s ability to set firm descriptions is a definite treat in this story. While probably one of the least furry stories in the collection, it is definitely an enjoyable read and a call to much of the great dream-based fiction we’ve seen the past fifty years.

White Yoté’s story “Dog Eat Dog” centers on the husky Killian and his solar-energy company. However, when he becomes aware the competing company has discovered the way to harvest any light energy, including moon-light and cell-light, Killian decides to enlist the help of half-cybernetic ringtail mercenary McKay to push the company to ruin. This story excels in its even pacing, making the details of the plot suspenseful and the intelligent banter attention-keeping. A very balanced, well-written piece that speaks volumes to the cannibalistic nature of greedy capitalism. As is the nature of science fiction to make bold political statements, this one fits well into the critical corpus.

The next story is another A.I. story entitled “Violet” by Stormcatcher. (SPOILERS AHEAD): Violet’s husband Mason passed away years ago. However, he left a cybernetic clone of himself behind to take care of Violet. When she activates the robot, she treats the new Mason as if they have never met: they start dating and become married. As far as the new Mason knows, Violet just doesn’t like to talk about her previous husband. When he demands to see Violet’s kids, she starts to stress out. Despite the disorienting opening in which readers do not really know this is even an A.I. story, it has rather intricate character development and plays with the A.I. trope effectively. The perspective was more than a little frustrating as it cycled a third person limited from the new Mason to a Violet (without revealing the A.I. part still) and back to some kind of third person omniscient. Enjoyable all the same. (SPOILERS CONCLUDED)

“Hyperstream” by Karai Crocuta is about jaguar Cassius and his desperate attempts to save his technologically savvy brother James from imprisonment. Cassius is imprisoned by the alien Sol, but Sol wants to make a deal with Cassius so that everyone gets what they want. The narrative of this story is incredibly hard to follow. It goes back and forth between what Cassius is really feeling and what could be a hyperstream simulation….or it could be the real hyperstream events…or it could be thoughts Sol is implanting into Cassius. None of that is really clear. What can be made of the plot is incredibly grabbing, and the characters are captivating as well. As an editor, I feel the story would have done much better had it been entirely linear, and the perspective changes make it frustrating as well. A pleasurable read for space action lovers.

“The Journal: Beginning” by Angelwolf follows Dr. Matthews in a scientific project that quickly becomes taken over by a military project. From what I gather, this story is meant to be the first chapter—or at least some excerpt—of a larger book. To be blunt and possibly an ass, I found this story to simply not belong in this collection whatsoever. It read like a Hollywood blockbuster short. Lots of action, confusion, melodrama, and explosions. The only “furry” element was a canid “creature” that appears in the last couple of pages. The author’s name was the most furry thing about the story, and the short clip did nothing to make me want to keep reading.

One of the shorter stories in the collection, “Graveyard Shift” by Redline focuses on the supernatural bounty hunter named Charade. When a mandrake starts terrorizing a town for killing its parents, Charade the fox is the only one who can save the humans. Honestly, in furry fiction, I have only seen a more badass fox once, and that was from Teiran. Charade is an amazing character and a great mix of the trickster mythos inherent with the fox and the gunslinger archetype. Although the story was not particularly gripping, the incredibly rich characterization made this story a real treasure.

“Relativity” by Rincewind tells the story of Pilot Rajit in his space exploration. The main premise is simply that he finds what he believes to be signs of alien life. Despite the cliched plot, the character kept me interested, and I wanted to keep reading. The greatest downside to this story is definitely the style. There are so many sentences throughout that are very distracting. From “in dee! pspace” to “lit up like a Christmas tree” being used to describe buttons in the middle of a panic sequence, the language is awkward and garbled on every page. Definitely needed more editing and a stronger conclusion.

One of my personal favorites from the collection is Calcifer Rauth’s piece “Kerner’s Bad Day.” Centering on enforcer-dragon Relaeth and his attached-scientist Kerner, the story starts beautifully: “Fragile glass and hard surfaces were never meant to be best friends; especially when the former was rushing to meet the latter at high velocity” (207). When Relaeth is temporarily assigned a new scientist and a murder occurs right after, Relaeth must use all of his wits and technological prowess to fight against the powers that threaten him.

Alexander Wood’s “Warm Exodus” cannot get enough praises from me. This is a tale of two wolf brothers, Enhart, the omega, and Asmodan, practically an alpha. When Enhart is suddenly the vessel for 400 alien life forms in his mind, he learns he has a time limit to get the aliens to “the Medium” before his body is ruined from the aliens’ inhabiting them. This story, although the longest one in the collection, is incredibly emotional, and it paints vivid characters, a gripping plot, and a poetic voice that has you begging the author to continue even after the story is done. A must-read for any anthro wolf fiction lover.

“The Firelight (A Parable)” is the editor’s own story in the collection. It is hard to say too much about it without giving the full synopsis. It reads very much like a furry fable, preaching a certain moral through clear, evocative language. My only real critique is that the lack of specifics (including names) makes it a lot harder to place oneself into the story.

Roar, vol.1 was quite an enjoyable read. It was pleasant to see the varying shades of furry science fiction. From an editing standpoint, much was lacking in this collection. From the apparent lack of proofreading and non-standardized English, it does not appear that the editor spent too much time with each individual story or with reading thoroughly through a proof copy. My largest critique of the book was the vast range of quality in the works. The editor seemed to accept works that lacked almost any merit whatsoever to the top tier of furry fiction. As I read through the later volumes of the series, I hope that the story selection process becomes much more critical and incisive. All the same, this is a book I would recommend any lover of furry fiction, probably just with a disclaimer.

Day 2 and still waiting….

Yesterday I made a challenge against the haters who criticized one of my contributors and nothing so far.

Coming to the Defense

Look everyone it’s hard enough for me alone to update this blog of mine every single day without a break. I don’t need my contributors to get harassed. For the first time since I started this blog I have 2 people that are willing to go on the line for me. Expressing their opinions, which by the way I have been open to since day one. Anyone and I mean anyone can send me something, as long as it isn’t hate…it will be posted. Here I get a personal message from the leader of this one furry group telling me that his members follow what I say on a daily basis. Then this happens, I call them cowards. If you don’t like anything you see here contact me directly.

MY EMAIL ADDRESS

yiffytimes {at} G Mail dot com

Just be aware of what you might say could get posted

I am getting around 600 views a day currently, I am aware some of that number is looking at older posted material. But over 95% of you are looking at the newer posts. I must be doing something right, with that said if you have any issues contact me. I will always back my contributors over these haters any day of the week. Believe me I am more than likely to respond to an email than a message on Skype as I rarely use it. So Haters if you’re not a coward email me. If you are just plain cowards like I said. Do nothing and I will have my answer from those with no backbone to speak of.

Mascot Fur Life – Teasertrailer – 2016 – Fursuit Film Project – 1080p – Englisch Version

The Furry Canon: Jonathan Livingston Seagull

By JM as originally posted on adjectivespecies.com

Ugh.

Jonathan Livingston Seagull, a 1970 novella, hereon referred to as JLS, is really bad. How bad? Read on.

I’m reviewing JLS for the [a][s] Furry Canon project because it appears on Fred Patten’s “Top Ten Furry Classics”. Fred’s list was one of the inspirations for this project, and so I’m working my way through all ten of Fred’s choices. Unfortunately they include JLS.

To be fair to Fred, his top ten is obviously not intended to be a “best of” – it’s more a list of books that are important to furry in some way. It includes choices like the first by-furry for-furry book (Paul Kidd’s Fangs of K’aath), and (as Fred puts it) the first serious* intelligent* animal novel for adults*, Sirius.

* My experience with JLS has caused me to doubt Fred’s judgment of quality. So I’m going to consider these terms to be provisional, until I’ve read and reviewed Sirius.

All of Fred’s top ten—including JLS—receive Fred’s approval as “great reading”. I am here to tell you that JLS is not great reading. To the contrary: it is asinine, tedious, humourless, preachy, and (mercifully) short.

JLS is a story about a seagull who learns to transcend the boundaries of space and time using the power of his heart. Argh.

Do you really want to hear all the ways this book sucks? Because it’s worse than my synopsis in the preceding paragraph (minus my ejaculation of psychic pain) suggests. I thought that this review might be fun to write, but all it’s doing is reminding me of the experience of reading JLS, which is much like living through a Picard facepalm.

JLS starts with JLS himself—the triple-barreled name of our seagull hero—pissing about. He is ignoring his seagull mates and instead flying stunts. (This is written in weirdly specific aeronautical jargon.) Jonathan learns to go fast, and then gets kicked out of his seagull team because he has the moral courage to follow what’s in his heart. And then he meets a fucking immortal seagull guru and starts transporting himself around the place instead of flying. And then becomes this bullshit secular religious prophet, where he teaches other seagulls to follow their dreams.

The writing is bad. It is written alternately in the style of what I imagine goes on at r/seaplanes, and coddling new-agey claptrap. It’s about as edgy as a weak episode of Diff’rent Strokes.

In line with the softcock positivism of JLS, the tone of the writing is bland and—at its best—worthless. I’d compare it writing that appears on an eagle-themed inspirational poster, or the platitudes spouted by Malibu Stacy’s short-lived competitor Lisa Lionheart, or perhaps the motivational messages of professional wrestling cheeseball Bo Dallas. Except that JLS is less pithy, and has less to say.

I’d say that JLS is unpublishable, yet it has sold in excess of one million copies—that’s a lot of readers’ eyes being rolled as they suffer through this thing—and was rewarded with a film feating a Neil Diamond soundtrack. Both the film and soundtrack have a reputation for being terrible.

So I guess you could say that I respectfully disagree with Fred’s characterization of JLS as “worth reading”. I can only imagine that he included JLS in his list because of its commercial success, or perhaps due to some short-lived cultural impact on its publication in 1970 (Fred was 30 at the time). In either case I can’t imagine anyone picking it up in 2016 and deciding it’s worth a damn.

I’m happy to conclude that JSL fails at the most basic level to be a book of any value, never mind one of the quality necessary for recommendation into the [a][s] Furry Canon.

It think it fails on our other criteria as well – longevity & furry connection.

I know I’m not the only person who knows JLS solely through its use as an expletive by The Simpsons‘s sea captain, which I think says it all as far as longevity goes. And while I know of at least one furry seagull who takes a kind of furry pride in the existence of JLS, he is Scottish and therefore you can imagine how he feels about being told by a hippie to find the courage to let his heart soar free.

In summary, Jonathan Livingston Seagull deserves neither your time nor interest. It will not be taking a place in the Furry Canon.

This article released under a Creative Commons BY-NC-SA 3.0 license